Thankfully, the latest update now includes manual adjustment options. However, in particular skin tones, color match can struggle with making all elements consistent. This is a quick way of correcting your color, for example if you’ve shot the same scene with two cameras, and need them to look the same. You select two clips, and the application automatically adjusts the second to give it the same look as the first. One useful color tool, which has been improved in PowerDirector 19, is color match. However, it would be nice to have a full set of color wheels, as some competitors such as Lightworks and Pinnacle Studio include. To efficiently grade your clips, there’s a color adjustment tool with a number of sliders – hue, saturation, brightness, and so on. It’s easy to switch between keyframe types (Image credit: CyberLink ) CyberLink PowerDirector 19: Color tools
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